Showing posts with label tango. Show all posts
Showing posts with label tango. Show all posts

Sunday, 6 January 2019

ORCHESTRA RAP SHEET: Rudolfo Biagi tango orchestra

Rudolfo Biagi - pianist, composer, band leader
  1. He was born in buenos aires in a barrio or district called San telmo.
  2. He made his first debut as a pianist when he was 13 playing the background music for silent movies. Later working with Carlos gardel one of the most famous tango singers. Leaving his employment to play as part of Canaro’s orquestra.
  3. Here he wrote the famous tango ‘ indiferencia
  4. After a little time he left Canaro’s orquestra to replace an unreliable pianist in D'arienzo orquesta and together in 1935 bringing forward tangos with a very distinct difference in energy and tempo using the 2/4 time signature instead of the old 4/4 time.
  5. 1938, Biagi split with D’arienzo to make his own orchestra.his show of the radio got him coined with the nickname ‘manos brujos’ or magical hands. compositions include: ‘amor y vals’, ‘crus diablo’ and ‘golgata'


DI Sarli - musician, pianist, band leader
  1. he didn’t begin playing in the tradition of another orquestra like firpo canaro or de caro revivalists, but created a sound that was particular and most definitely his own.
  2. he never had any instrumental solos apart from the violins that have a strong presence in any of the pieces you might hear. one of the easiest ways to pick Di sari out form the crowd.
  3. ‘Milonguero viejo’ is said to be a piece that encapsulates every of di Sarli’s style. In 1919, he put together his first orquestra.
  4. In 1923 he arrived to Buenos aires with his brother Roque. Author of a well acclaimed tango ‘ canaro in paris’
  5. he joined Osvaldo fresedo orquestra for a time but then moved on to put together another group. they played in various teas rooms until after a year they received a contract from RCA - recordings, a major contact in the world of recording tangos in that time.
  6. in 1936 he left his orchestra to go to rosario for reasons unknown. But his old orquestra in buenos aires still kept his name as they developed new music. 1938 he went back to being the leader of the Di sari orquestra.
  7. he went on with various labels to produce many pieces of music and his last recordings were made in 1958. hi first tango composition in 1919 was ‘meditation’.

ORCHESTRA RAP SHEET: Francisco Canaro tango orchestra

Francisco Canaro - Uruguayan violinist and orchestra leader

Nicknamed 'pirincho' from the moment he was born due to the tuft of hair that looked like the uruguayan and brazilian bird 'pirincho'

Generally thought to be self taught, amazing as he has created some of the best music in the tango genre.

First known songs where in 1912, 'pinta brava' & 'matasanos'

in 1924 he was one of the first band leaders to have a singer sing the 'escribilio' or bridge section of the music. Roberto diaz was the first singer he collaborated with for this.

In 1925 Canaro went to paris taking singers Agustin irusta and roberto fugazot, and pianist Lucio demare.

he recorded over 3500 numbers and from those the ones he composed were in their hundreds.

Canaro was active with the cause of intellectual property rights of composers from 1918 onwards and was instrumental in the creation of the argentine society of composers and songwriters in 1935.

Later he developed pagers disease and died in buenos aires in 1964.



Juan D'arienzo - violinist and band leader

  1. stylistically opposite to julio de caro and first playing violin with d'agostino on piano and lechuguita or ernesto biancha on bandoneon.
  2. Has first started playing for theatre and this continued further when d'arienzo-d'agostino band took over 'el cabaret el montmartre' from firpo.
  3. 1935 was the important year for d'arienzo due to this being the time he really became famous in the tango world.
  4. 1935 was also the time biagi joined d'arienzos orchestra.
  5. he became known as the king of the beat and is also thought to be the reason why tango become more widely danced again. during the 20s tango was taken over by singers and a slower more melancholy feel to the music that made music that was more for listening to.
  6. In 1949 D'Arienzo said: «In my point of view, tango is, above all, rhythm, nerve, strength and character. Early tango, that of the old stream (guardia vieja), had all that, and we must try not to ever lose it.
  7. He carried on making music until he died in 1976
  8. he favoured the 2/4 time in his music and credits this with the return of dancers to the dance floors in 1940.

Saturday, 17 March 2018

Tango Stories: (1) Rooftop in Buenos Aires

This is the first of our stories collected from our original post asking for submissions two years ago. These were made into a book that sold out within a month and wasn't reprinted to keep the project special and unique. After all it wasn't about the money out about making a final creation that could be shared amongst those submitting stories and their families.

Rooftop in Buenos Aires

There were many things that lead to this moment standing with what i could only describe as my first love. I had girl crushes and the idea of loving many times before but not the all consuming feeling of wishing to know someone, wanting to be in contact and sharing more of myself than i ever had done before.

I went to a tango salon with my dancing partner in Canning, a great traditional salon for dancing. My dance partner wanted to dance  with some of the most experienced dancers in the room but because he wasn't known there found that they turned him down more often than danced. While he was not really in the mood for dancing i soon found the eyes and cabaceo of a man sitting two tables over from us. We danced a tanda (4 songs) and then sat down again at our own tables. i found the first dances challenging and not so comfortable. So it sort of surprised me that i said yes again a little later on. In the end we danced 4 tandas which is quite something seeing that my dance partner pretty much sat throughout and more than one tanda in a evening tends to imply a closer relation or leading that way.

We exchanged numbers and emails. Leaving the milonga with my dance partner i found a cheeky email waiting for me when i got home in the early hours of the night. He invited me to come to a milonga the next evening and meet him. So this time going alone i found myself dancing the whole evening. This guy introduced me to various people at the salon and we tried our very bad English and Spanish on each other. He got me to try an empanada for the first time and introduced them as some of his favourite food. He asked more about me and also if i would be interested to practice with him. i was in Buenos Aires to learn and so i thought why not. i invited him to the tango house where i was staying which also conveniently has a dance floor that can be used.

We met and practiced for 3 hours solid, he drilled me at every turn and i had the feeling afterwards of not being able to dance anymore. in the end he saw this and i think felt a bit bad about it. It was a really hot evening so we went up onto the big open roof that overlooked the skyline of Buenos Aires and gave hints of the neighboring buildings in Barrio Boedo. We sat there for hours sharing stories. He realized i could lead and asked me to lead him. We danced on the rooftop and the lesson continued. Then in one moment he showed how it was to lead a specific movement, then taking one hand and placing it on my waist. Another hand going to my face where he brushed away a piece of hair blown by the hot breeze. He must have seen my softly wild look at these gestures and returned his own, eclipsed only by the kiss that followed.

Anonymous Author, 2016

Monday, 25 January 2016

Make tango history and upload!


Introducing 10 tips to find great tango on the web

In this day and age the internet and all things social media are opening up some interesting options for niche groups like Argentine tango lovers to share and bring new information to the surface. Many tango dancers resist all things modernized in the upkeep of the old ways and the charm that comes with them. While i too must confess to being in love with many of the social and practical etiquettes of tango, i am also loving the new information at my fingertips. Like the old black and white videos of people dancing in prehistoric tango times or the up and coming dancers doing their first promotion videos.

Much of tango history has gone uncatalogued making it harder for those who would like to spread informed and widely respected information about Argentine tango. Whether about how tango was danced in the early days with the stories of that time, or indeed techniques every student should learn to become a good dancer. We each have our ideas on this, but with time some of the best resources have diminished with the ageing of orchestra leaders and notable dancers who were around in the good old days when Argentine tango was forming and being shaped. With the natural cycle of life and ageing come the deaths of some of our most renowned maestros and the generations that have witnessed a lifetime of tango and its evolution. Prompting a wish amongst the many Tangueros out there to preserve some of this knowledge in the shape of video interviews, documentaries, articles, and online resources making this information available to the world.

We can actively take part in our Tangos history by becoming active in uploading old footage and publicizing the new dances being created. Below is a short list of some of these new fountains of knowledge, in no particular order.

Tip 1: TENGO UNA PREGUNTA PARA VOS por Pepa Palazon,

A video series where Pepa interviews many of the worlds best known tango dancers. Getting their take on all things tango. Search the above title in youtube to find a huge number of video interviews. Including Julio Balmaceda, Gloria y Rodolfo Dinzel, Milena Plebs. (spanish)

Tips 2: The Youtube search

Type any of the following words in together and you will find a whole wealth of old videos of everything from D’arienzos dramatic leading of his orchestra in the 1940s to black and white movies of some of the first tangos ever recorded on film. search terms to try: tango orquesta, 1920 tango, 1930 tango, 1940 tango, golden age tango. (various languages)

Tip 3: Todo tango website

Probably one of the best known tango website resources out there, giving deep and informative information about dancers, musicians and all things tango. If you understand spanish then its well worth checking the spanish pages and each language has a different amount of information available. I found the rap sheets on the orchestras useful in getting a feel for how all the different musicians interrelated and through this how the end result we hear today came to be. (Spanish, English, German, Portugese)

Tip 4: site

This is very basic in the way it looks but if you are interested in no fuss information it provides a great source of information laid out in a utilitarian but easy to understand way. (various languages due to user content submission).

Tip 5: To tango net

This site has some great articles about everything included in the tango genre

Tip 6: Cyber tango site by Cristian mensing

An incredibly useful site with listings such as links for journals around the world, articles, books, websites and blogs for more information about tango. Its a great resource. (english)

Tip 7: Articles and book by Christine Denniston

i found her articles and website when i first started dancing and in want of more knowledge. With easy to understand and informative writing style, this is a great place to start reading about tango history. (english)

Tip 8: Tejas tango dictionary

A great regularly updated tango glossery of terms explained. (english)

Tip 9: Argentine tango videos net

This is a website dedicated to videos old and new,

Tip 10: Tango and Chaos

Read stories of recent times in Buenos aires with Tango and chaos website - (english)

With the new information coming to the surface all the time it enables us to further research argentine tangos murky beginnings and hopefully write with a more informed approach than the regurgitation of tango histories out there. Many containing the same play on words, vocabulary and factual information. Wanting to offer my students a history of tango on my website at one time or other, i was also culprit of this. With the continual new information we have a very natural record being created like never before. There are many ways to be an active part in the history of tango, come and join in the fun.

Other articles in the dance genre:

'A Vision of Tango'

'Abundant obsession', Argentine tango

Why we love Pilates (and you should too)

Wednesday, 13 January 2016

5 fantastic dances to improve your fitness, which fits your personality type?

Ever wondered why some people tango and others do rock and roll? With a few exceptions that like to mix it up, many people get attracted to different dances. What brings people to a dance in the binning and what keeps people training once they have started? Well I am not sure i have the answers to this but to have a little fun, I have listed 9 dances below and their personality types.

Bohemian thinker / artist

Argentine tango is a mixture of introvert and extrovert. Both for show and social, in full view and danced for the couple alone. Scientists and artists looking for a way to communicate, usually finding hard to do this in every day life. It appeals to the masculine mind with its geometric concepts of lanes and line of dance, circles and angles for turning and much more. Sophistication and trampery in one foul swoop, not to mention the more commonly seen variations in dance couples, men leading men, women leading women gives tango the title Bohemian dance of the group.

Party animal

Salsa - generally extraverted unless you see the natives dance (people dancing a long time to a high level), then it can be slow and sensual. Salsa tends to attract the younger generations who like to party but want something more than simply bouncing around. Full and curvacious, even men will discover hips in this dance. Culture and modern music mixed in a party atmosphere with bright colours and vivacious music filling the whole room,  think carnaval. This dance is queen of the party.

 Sorceress / magician

Flamenco - dramatic outward appearance and a lot more going on inside, strong rhythmic movements. Masculine and feminine mixed together with energy and purpose. Traditional feel and dress exuding the best of old times in performances that make your hair stand up on end. The duality of the masculine and feminine found in this dance rarely seen so equally standing side by side make this the dance of those who want to explore their inner power and expression enabled by the play with live musicians. Making this dance the one divine connection of all things.

    Hippy fest

    Folkdance or Balfolk - high energy, fun with simple movements compared to other dances. Great for getting everyone up on the dance floor, its the social animal of all the dances listed here to the point of attracting all those who don't want to go mainstream. Cross culture sharing, hippy hugging and live music create lots of great sharing experiences with this dance.

    Chilled out groover

    Swing - with different moves set groovily in the 1920s-1940s jazz scene. Golden oldy or nostalgic young one who likes to get a feel for the richness of a whole range of different dances included in this genre. This dance brings lots of great historic references together with the dance that is still very actively danced today and increasing momentum by all accounts. This dance is king of chilling out and variety.

    Please take this as a little fun, i love dancing and think every dance has its charm. 

    Liked this? then it would be great if you share you dance personality, even if its not the dance you actuality dance at this moment. I often wondered at the personalities of different dances and there are so many that aren't on this list. i made a shortlist this time but maybe another time its nice to broaden it out. i hope you enjoy.

    Other articles in the dance genre:

    10 Quick Surprising Tips About dancing

    'A Vision of Tango'

    'Abundant obsession', Argentine tango

    Why we love Pilates (and you should too)

    Wednesday, 6 January 2016

    How to Solve the Biggest Problems With dance shoes

    Shoe problems for anyone who relies on shoes for a particular purpose will find it annoying to get problems. Whether you are a runner, cyclist or dancer, your shoes and in fact clothes are important to enhance what you are doing and able to bring. Read this article further to find out some of the problems faced by dancers and tips for working around them or avoiding them altogether.

    Top 6 categories for problems dancers have with shoes:

    1. Breaking in new shoes: Especially as there is often a recommendation to start with a smaller size than you actually wear. This is due to the material expanding and as dancers we want an as near perfect fit as possible. The what degree smaller depends on the dance, the shoe and type of material its made from.
    • Tip, I would suggest here with leather and suede shoes is to put them on a heater for 20 minutes before wearing them. Note that the heater shouldn't be hot enough to damage the shoes, just warm them past body temperature so the material expands. When you place them on your foot the material is softer and if this is repeat a number of times it begins to mold the shoes to your feet, fitting them perfectly without the normal process of wearing them in.

    2. Getting used to different heel heights (even for men with cuban heels). Many women aren't used to heels and when they come to dance they find it difficult as suddenly they are asked to don heels in many dances. Dancers are rarely taught how to use their shoes in the movement. Its all very well putting good looking shoes on your feet but if you don't include them in your technique they will trip you up.
    • Tips is to wear new shoes on uneven surfaces, or ones that make your ankles work. Usually when we put on new shoes we forget that we need to accustom our bodies and in particular muscles to the changes created. Ankles are often too weak to offer stability when someone wears high heeled shoes for the first time. The thicker the heel the easier it is on your ankle, the lower the heel the easier too. The other thing is the that a dancer needs to build their technique to include shoes as a tool for the trade or hobbie. Simply sticking shoes on our feet regardless of how beautiful is a common mistake.
    3. Shoes that don't fit correctly can be a pain, quite literally. Either through rubbing, being too small or so big that you are unable to move properly in them. The style of the shoe is also important when working with feet of different proportions.
    • Tip,  Length, width, high arch, flat foot, shape of foot are all factors to consider when buying new dance shoes. Best thing is to ask a dance teacher or a knowledgeable shop assistant. Good ones are often trained in dance shoe fitting. After owning a few pairs of shoes you can also look back and see which shoes where the most comfortable and worked best for you in terms of shape and style.

    4. Dance shoes that break are a problem.
    • Tip: many can be fixed easily and its well worth training a cobbler or shoe repairer in your city to mend dance shoes. Particularly if you are a professional and wear shoes out like no tomorrow.
    5. Our old dance shoes affecting our movement. This can come in the form of wear and tear that simply means you have to work harder to maintain balance and equilibrium in old shoes. The other problem that arises for newer dancers who have drastically changed the technique of how they use their feet, is that the wear of the shoe often reinforces old habits. How does this work? well if you imagine someone moved and danced with all their weight on the outside of the foot and mostly on their heels. You will find that the outside of the heel is worn down and the engineering of the shoe starts to break with wearing the shoe in a way its not built for. Yes there is shoe engineering and design that enhances certain things we want as dancers in our shoes.  Ballet shoes are a great example of this.
    • Tip: Even though old shoes are at their most comfortable and if worn a lot are dear friends, know when their time it up. Comfort is usually a sign that the engineering of the dance shoe is breaking down and past a certain point it doesn't do anyone any good. Get to know a cobbler in your city who can repair some aspects of aged shoes, particularly if the shoe is good but its the heel that has worn down. This is often easy to fix, as are straps that have got loose due to expanding and worn out soles.

    6. The engineering of shoes. Have the shoes been balanced correctly, basic test for this is if they can stand up by themselves without falling over. Other factors include twisted heels, the foot pattern being well proportioned, the orientation of the heel distributing weight to different parts of the foot if not aligned properly. Then you get into things like distance between the heel and the place where the ball of the foot meet the floor. Its rare to find a shoe that is perfect and rarer still to find two. So the suggestion here is to be aware of what you have, don't buy something that is terrible quality and work with how the shoe balance affects you.
    If you find any other problems it would be great if you add them in a comment. I hope this list and tips help. More articles like this will be coming soon. 

    Other articles in the dance genre:

    'A Vision of Tango'

    'Abundant obsession', Argentine tango

    Why we love Pilates (and you should too)
    'Abundant Obsession' Argentine tango dance
    'Abundant Obsession' Argentine tango dance

    Friday, 18 December 2015

    We are collecting your tango stories

    UPDATE (March 2018): After many stories were shared with us we made a book that the authors could share with family and friends. This book was sold out within days of being printed. There were no reprints due to the project being about sharing rather than making income. But recently we had more questions about the stories and if it would be possible to publish some of them here. While the authors wished to remain anonymous we were given permission to publish to this blog. see this link for the first story shared. Feel free to shares yours by sending an email to We look forward to hearing from you.

    Original article and search for stories: 12/18/15

    Our latest mini project at Cielito is to invite all you Argentine tango dancers out there to share your creative skills and experiences with Argentine tango. What was your first experience? What comes to mind when we say the words Argentine Tango? Have you got a story to share? it can be anonymous if you are sure about being known.

    All the stories that are submitted will be edited for spelling and pictures will be added when it fits. Not all stories will be added particularly in the case where the content is deemed unfit for general public use. If you wish to remain anonymous please make sure you press the anonymous button within the submission form.

    Click here for the link to Cielito's website and Story submission page.

    Why are we doing this?

    For a long time i have wishes to bring together many of our stories into one place. There are many sites with tango videos, teaching tango demos, and hostory of tango information. But few focus on the people aspect of tango which is fundamentally so interesting because while many of the stories might indeed be similar the motivations, the reasoning and feelings behind them are universally different.

    Unlock the hidden creative writer in you and share a little of what keeps you busy.

    Greetings Loca

    Wednesday, 16 December 2015

    Bounderies in tango?


    Just a thought really from dancing at a milonga. i am wondering what is happening with peoples bounderies as we dance more tango. i see a different ideal of the sort of things that are acceptable in a traditional milonga and a more alternative one. Many sorts of bounderies are possible, important ones? well theres a question. but i do wonder how relationships survive in a milonga where its culture finds it absolutely acceptable that a woman comes and sexually kisses a mans neck from behind, in full view of everyone including the mans wife. i don't mean a peck on an intimate spot but full on kissing, biting, sucking! i know the couple well and didn't want to be part of what went on due to respect to the mans wife.

    so questions arise, why did he act as if this is normal behavior from someone who is a 'friend'? is it for people around to make judgements? if she is indeed a friend does she respect either the man or his wife? aside from a judgement should i have to accept something that breaks down inhibitions that we as a culture slowly come to find 'normal' because of our acceptance? There are a lot of tango events out there that unconsciously or/and deliberately break down peoples bounderies. but where is the social responsibility to putting these people back together or indeed asking permission before you therapise someone. and when people are in an unbounderied state what does this mean for their relationships, friends, husbands, wives, lovers, the group? And importantly respect for each individual as they come, complete.

    i am still in the process of questioning as you can see from what i have written above. Questions hihi. but the reality of this through answers is an interesting one. what happens when you ask yourself some of these questions. from two perspectives: 1. from an acceptance of other individuals to make their own choices in life and 2. how you feel deep down. are good healthy bounderies that protect your individuality and individual specials relationships (friendships, lovers, relations of any personal kind) being broken down?


    Stalkers and Men


    Where is the limit between stalker and man? Are they two views we can choose to see of the same person, or an illusion of each depending on what we choose to see. when is the moment that a stalker becomes reality?

    For months now there has been a man intruding into my life unwanted. This could just as easily be a women stalking, but now i talk of a man. With any number of situations, emails and calls that come to mind. You never think of a stalker until another person says the word. after that i went to the internet to look up what was written about people who stalk. there were thousands upon thousands of pages dedicated to the subject. A dictionary says:'to follow or approach (game, prey, etc) stealthily and quietly, to pursue persistently and, sometimes, attack (a person with whom one is obsessed).' it was almost like boxes i could tick off, did i feel like this mans prey? YES. Is he persistent? YES Is he stealthy? YES. Does he follow me around? YES. Then the dictionary goes on to say:'to walk in a haughty, stiff, or threatening way'. With this definition this man became a stalker in every aspect. i went on to read another site about stalker personalities and again the more i read, the more i feel this situation is strange. To add to the description above this website adds that a stalker is usually deluding themselves that a victim loves them, that the stalkers actions are done to show true love to the victim and often don't see the harm it causes. here's the link:

    My story starts with a big tango event i was teaching in about 9 months ago. we had met before this when i was supporting the Malvern tango scene to get going. He was checking out my situation then but it seemed harmless and i was very clear that i am happy with my boyfriend. i get it alot, so thought nothing of it. 9 months ago Jim(not his real name and sorry to all the JIMs out there, nothing personal),started to sit in my line of sight, when ever i looked up he would be there. if i djed he would sit directly opposite, he would ask me to kiss him good night, and say things like i need a good man to keep me. i reply to this that i have a good man, he is in Holland, and walk away. it looked like i had a private lesson free. JIm says something like ' i know you need the money, so i will have the next private lesson with you'. it felt like he was trying say i could be bought. like a prostitute. i told him no. He doesn't take no for an answer. Through the whole event he was trying to make contact, but not in an open friendly way. he was trying to make me feel small, like i was seeing things and its my fault that this is happening to me. i didn't feel safe on my own, but it was more a feeling at this point. after 10 days of this i leave and go back home in the Netherlands.

    When i got home i told my boyfriend everything because i have nothing to hide. I have never lead Jim on, i have always been friendly as suits a teacher with her students but there has always been a border to how friendly with this particular man, because it didn't feel clear what he wanted from me. i was left with a yucky feeling that i couldn't get rid of, i was worried that Jim would follow me to my home, i felt physically unsafe. Becoming more introverted in the month that followed and on top of this he entered my nightmares. i can't express how strongly disgusted and yucky i felt with what had happened, the words don't feel enough right now. Then i recieved an email, he was saying racist things about a friend of mine and how we would make such a great event together. i didn't reply. i didn't hear from him and thought it was finished with. But this is also the time when prank phone calls started with 'caller unknown'. i can't prove it was him, but i can't think of another who has given me reason to think it might not be Jim.

    At the end of April i traveled to hereford for a weekend of workshops. Jim arrived early, and i kept the distance. Part of my job is to also be host in the weekend, you are one of the people most seen and therefore need to welcome people. so i said hello from a distance and carried on with preparing my djing list. as soon as he came through the door i knew i shouldn't be alone, i asked the organiser who is also a woman if she could make sure i am not left alone with him, and also not to arrange any private lessons with jim. i tried to stay away from him and with people around me for the whole weekend. on the sunday evening we all went to the pub for a meal. i happened to be on my own at the bar ordering a drink and he comes behind me and puts his arm around me as if he wanted to take the contact that i was avoiding. i moved away straight away. while he was doing this my friend also arrived there and looked at me as if this isn't right if he does that. he tried to buy us a drink and overrode my objections. that night my friend dropped me at the airport and i returned to Netherlands again. i got a very intimate email where he was expressing his love for me, that we had our first look, and a completely delusional account of the weekend from his point of view. he described us as two lovers that were kept apart by circumstance. he noticed i had a ring on my wedding ring finger that looks like an engagement ring. that i should run away from my boyfriend to him. He was making out that my boyfriend was holding me by force. Which is crazy of course.

    I softly told him that i wasn't interested, that it wasn't an engagement ring but might as well be. if my boyfriend asked me to marry him i would. he replies to this with situations i have no idea about but was supposed to be there. i was supposed to have been in cheltenham in the last months, but haven't been there for years.he mentions my ring as being only in tango and not of any real worth. I told him before, i would marry my boyfriend if he asked me. my ring is for me, but doesn't deminish the idea. I LOVE MY BOYFRIEND AND WANT TO MAKE A LIFE WITH HIM. Jim tries to talk it away and create a stronger seeming bond between us, making out that i have done something my boyfriend might not like. My boyfriend knows everything. Lastly when i introduced the idea of the CABACEO which was a fun half hour of exercises and discussion, which i believe alot of people found invaluable. He says that i shouldn't lead all these men on and that the people aren't ready for the cabaceo. Upsetting their wives. All this in one letter.

    His next email a day later is letting me know how many women (he supposedly) has around him and how lucky i am that he is looking at me. He talks about getting into girls knickers and generally seeing women as fickle and unable to make their own minds up about what they might want. i.e him. He asks me to run to him after quoting what i wrote about my boyfriend "It's not an engagement ring but might as well be. If he asked me I would say yes. I am building a life and home with Jacob."

    My reply to this was please leave me alone and don't send me emails on this topic again. he pushes and pushes while making out that i am the one not doing what i should do, or leading men on etc etc. i got tired of it. each time he contacts me he brings back this feeling that i am not safe. he is bigger and stronger than i am, if i am alone i don't know what he will do. I FEAR FOR MY SAFETY!

    He then went on to post on a facebook group for bristol that he was worried about mysafety and asked whether a friend of mine could check i was safe and ok with my boyfriend in Holland. Long story short letting the world think that we have a link and that he has a right to know about my safety. i had a small number of people getting in touch saying i should contact JIm and let him know i was ok. I felt like my only safety was in a group of people and that people knew there was no contact between us. He had publically taken that away.

    About a month ago he contacted me again and asked if he was aloud to get in touch now. Nothing ad got through. he didn't respect me as a person and was deluding himself about our relationship. He wouldn't take no for an answer using physcological games to make me feel stupid and unreasonable.

    3 weeks ago i gave workshops in Southampton. it was near the end of the class when i was summing the workshop up. Jim walks in and sits directly where i would see him. my heart dropped but i carried on with the class as normal. I finished the class and started djing. the organiser came up to me and asked what the story was. Jim had upset her door lady and was demanding that the woman on the door tell him if i had a wedding ring on my finger. he was asking over and over until she got the organiser. Jim was asked to leave.

    Everything came together last night when i stupidly went to a bristol milonga which is a place i know he goes to dance. it was a last minute idea to go because we had just got back from teaching in france. thought it would be fun. Jim walked in and all the old things he would do were there again. he would hover closeby so i would definitely see him, or sit on the opposite side of the dance floor looking at me. when i first saw him ran upstairs because i didn't want to see him. i was looking for another way out of the building. Then i realised and thought that i shouldn't show him that i was bothered. i had also unconsciously covered up a beautiful dress with something less shape showing. i went and sat down with my friends again. they were staying with me as they knew part of the story. i decided after southampton that everyone should know whats going on. its the only way i can be safe again after his public announcement on the bristol facebook group. the organisers again asked me if i would like him band, but i asked that they look after any young women that might be in their milonga and leave it at that.

    the only time i was alone was when i went into the kitchen to get some water. Jim followed me. i was too quick and nearly out of the corridor again (leading to the dancing room). we met in the corridor and he siddles up to me saying hello in a really patronizing voice. i said' don't talk to me' and walked on. he carried on in to the kitchen and i went and sat down again. then i was thinking a moment about all that had been. how he didn't take 'no' for an answer, and kept pushing. how he was intruding on my life physically not feeling safe, emotionally worrying about places where he could turn up and not wanting to be anywhere close to him. Affecting people who i am working with and upsetting people around me. i became angry that he thought it was ok to do all this. Angry that he could delude himself that i loved him without any foundation and doesn't listen when i say i am not available to him. Why should he be able to scare me. Then lastly i thought i must stop this. i had said 'no' him through email but not said anything face to face. so i walked into the kitchen and told him' that i never wanted to recieve any emails, texts, phone calls from him. i didn't want him to talk to me or upset people who i am working with. he started to try and reason with me and make me feel small again. i knew in that moment if i listened everything would be for nothing. i said what i had to say and left the kitchen. he left the milonga soon after.

    i don't expect this is the end, but i hope for it. i woke up this morning with the need to write everything down. this man has abused me verbally, and if annoyed i have no trust in what he is capable of doing. part of me doesn't believe in this stalker, put as i take in other peoples reactions to what is going on, reading on the internet, and when it comes to it trusting my own feelings. This Jim is a stalker. he freaks me out and if he is annoyed i don't know what he will do. i fear for my safety in that and thankful that i don't live in the UK.

    i don't know why i wanted to write. but then thoughts come having said this. stalkers are almost taboo to talk about, but why should be as a community protect those that do us harm, be it psychologically, emotionally or physically? i am protected because i am fairly prominent when i am in the tango places where i teach or Dj. i want to make this situation public so that those younger women (in this case) will be more aware that this sort of thing can happen and don't feel bad about cutting off from someone who does this to you. Tell everyone you know for your own protection. i was far too late in all this, being friendly when i should have put a wall. keeping the situation quiet just in case he really didn't mean what he was doing, but i should have made it public. lastly this Jim isn't a ma to me, he is a coward that tries to manipulate people who he thinks he can control. i know i am not the first or last woman this Jim has tried to control. A man lives with integrity and honour in his life, this Jim has none.

    This is not a fictional piece and is written as naturally as my thoughts flow to the page.

    'Storm Walker' poem written in Buenos aires Argentina


    A little of Buenos Aires

    She walks the storm
    Enclosed by skies fallen, no! falling tears around
    Greetings from a friend
    Reaching through skin to bone

    Now she may cry
    For the storm will cover her tears
    As long as she smiles
    No passing stranger will see her wants and fears.

    I walk stricken streets
    Through the deluge of storm
    Here I can cry
    As my tears will go disguised
    As long as I smile
    No one will know the sadness that fills me
    But in reality one has only to look into my eyes to see what is truly within.

    But I am changed by storm as it enters into me
    I am laughing as I walk these soaked streets
    While others run and hide, and watching me precariously
    My eyes twinkle reflecting humour of the lightning lit sky

    Who is this stranger who carries this drenched laughter
    Like a child she stamps her feet
    knowing well that each step means more water
    I smile back at her, for she has touched me to my core
    I see sadness in her eyes, and spirit in her heart
    This beautiful entity, walking freely
    taken by tempest, to some remote land

    she is storm walker…but is surely of this land………………..